I'm working on the head of a king cobra with its open because I wanted to show its fangs coming out. It has a great sense of texture on its scales and on its head plus different representional patterns on the king cobra. I'm still working on taping my cobra head box with the duct tape then I'll put the plaster in for the casting. I'll start with the head of it plus its eyes and mouth then do its neck plus the fangs. I'll add the pattern once there is clay in the box, about halfway inside; and make sure no water leaks out of the box.
Monday, February 23, 2015
Hi Katie,
I'm working on the head of a king cobra with its open because I wanted to show its fangs coming out. It has a great sense of texture on its scales and on its head plus different representional patterns on the king cobra. I'm still working on taping my cobra head box with the duct tape then I'll put the plaster in for the casting. I'll start with the head of it plus its eyes and mouth then do its neck plus the fangs. I'll add the pattern once there is clay in the box, about halfway inside; and make sure no water leaks out of the box.
I'm working on the head of a king cobra with its open because I wanted to show its fangs coming out. It has a great sense of texture on its scales and on its head plus different representional patterns on the king cobra. I'm still working on taping my cobra head box with the duct tape then I'll put the plaster in for the casting. I'll start with the head of it plus its eyes and mouth then do its neck plus the fangs. I'll add the pattern once there is clay in the box, about halfway inside; and make sure no water leaks out of the box.
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